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    • No. 91/92
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    On Annie Ernaux’s Urban Landscapes
    Notes on Craft
    On the Impasse Ronsin
    On the Liverpool Biennial
    Bad Genre: on Annie Ernaux
    Paris in the rain
    The Coming Bad Days, by Sarah Bernstein
    Consent, by Vanessa Springora
    Love Letter to New York
    An American in Paris Watches Emily in Paris
    Aikaterini Gegisian: The Suspended Real
    Setsuko Klossowska de Rola
    The Margot Affair, by Sanaë Lemoine
    What we remember when we walk in the city
    Re-reading Virginia Woolf's Orlando
    Strange Hotel, by Eimear McBride
    The Wandering, by Intan Paramaditha
    The Power Notebooks, by Katie Roiphe
    A Bookshop in Berlin, by Françoise Frenkel
    The Tattooed Villa
    My Mother Laughs, by Chantal Akerman
    Trash, Rock, Destroy: on Virginie Despentes
    Sigrid Undset's Doomed Flâneuse
    The Collection by Nina Leger
    Jumpsuits for the Matriarchy
    On Rebecca Horn at the Centre Pompidou Metz
    Silent b
    One Work: Rebecca Horn, Scratching Both Walls at Once
    Notre Dame on Fire
    Nous avons failli perdre notre point de vue sur la ville
    Susan Sontag Was a Monster
    After Agnès Varda: a discussion
    Agnès Varda vue par...
    Tokyo Ueno Station, by Yu Miri
    Introduction to M.F.K. Fisher, Map of Anther Town
    Maria Gainza's Optic Nerve
    Edouard Louis, Who Killed My Father
    The flâneuse claims the city
    Je suis une écrivaine française
    The Age of Light, by Whitney Scharer
    Adèle, by Leïla Slimani
    Nadja in Paris
    The Shape-Shifter: On Dorothea Tanning
    This is the beginning of writing
    The Spiky Feminist Anger of Virginie Despentes
    Il est temps que les femmes réclament leur juste représentation dans l’espace public
    Why all the books about motherhood?
    How French Libertines Are Reckoning with #MeToo
    Womanhouse
    Out of gallery
     

    LAUREN ELKIN